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Support our troops - Get them out of there - Bring them home.

Click here for The Center For Public Integrity database of the 935 Lies of the Bush administration officials that led us into War.

From The Mike Malloy Program 01/24/08.   

Investigate - Impeach - Indict - Imprison.

"In my lifetime we've gone from Eisenhower to George W. Bush. If this is evolution, I believe within twelve years we'll be voting for plants."
- Lewis Black

If we detain people without hearings, wiretap our own citizens, and torture people on mere suspicions, the terrorists have won, because we have given up everything our country has stood for.

Um ... Looks like we have given up everything our country has stood for.


Reflecting upon The Walking Dead

Hey Mike,

From the beginning of cinema until 45 years ago, zombie movies took place in Haiti, or on some nameless Caribbean isle. And masters of The Dark Arts, like Bela Lugosi in White Zombie, used Voodoo as Mind Control to enslave the living as well as the dead. Then in 1968 George Romero grafted characteristics from the Vampire mythos onto the Zombie genre, broke about a half dozen cinematic taboos, and created Night of the Living Dead.

The vampire, as personified by Lugosi in Dracula, was an undead creature who continued its existence by drinking the blood of the living. Bela could drain a victim at one sitting or he’d take a sip from the heroine over a couple of nights to eventually turn her into his vampire bride. Dracula was a malevolent creature who fed off of the living but compared to the Zombies born in the late 60’s … he was downright civilized about it.

Zombies, as envisioned by George Romero, tear you apart and eat you alive. There are no seductive vampiric overtures. They just grab you, bite your face off, and rip you to pieces. Right in front of the camera. No discreet cutaway shots. Tom Savini’s make-up wizardry allowed Romero’s camera to stare unblinkingly at shocking images of gore infused ultra-violence. If a zombie only bit you, by the next day the infection would kill, and shortly thereafter you would join the shambling hordes. The only defense against a Romero zombie is to shoot it in the head. And again, because of Savini’s make-up effects, the camera caught the black blood and brain matter blasting out in all directions.

What elevated Night of the Living Dead, and the rest of Romero’s zombie films, was the socio-political commentary completely missing from the gore-porn cranked out by his imitators. In Dawn of the Dead, survivors take refuge in a mega-shopping mall, a relatively new development on America’s landscape in 1978. Yes it’s a flesh-eating zombie movie. But at the same time it examined the literal soullessness of a consumer-based society.

In 2005 Romero wrote and directed Land of the Dead. The review by Jason Buchanan at allmovie.com said everything I was going to say so I’ll just cut and paste it here:

In Land of the Dead, the zombies whose numbers had been slowly but steadily growing … now dominate the streets of most American cities, while urban skyscrapers have been taken over by surviving humans, usually greed-addled opportunists who allow the living to stay in their fortified compounds for a price. Guarding the buildings are … mercenaries who have learned to do battle with the zombies, making use of powerful weapons to gain advantage. But as the zombie civilization grows, the creatures have begun to slowly evolve, with their dormant thought processes beginning to awaken, and as unrest begins to ferment among the mercenaries and the entrepreneurs who pay them, the ghouls may have found a way to defeat the last stronghold of humanity.”

… George A. Romero's latest entry is a thinking man's gut-muncher that is clearly the work of a filmmaker with much on his mind -- and the courage to let his rotting flesh-eaters sink their teeth into larger issues often too tender to be approached in a straightforward manner.

So am I going to go out on a rotting limb and say 2005’s Land of the Dead presaged the Occupy Movement in 2011? Yes I Am and unashamedly so. If I were to come up with a criticism of George Romero’s movies (which is easy or difficult to do depending on your blood ‘n guts threshold), I’d say that social commentary sometimes requires a gentle tap of a tack hammer, the slam of a gavel, or every so often a smash with a sledgehammer. I think George picks up the sledgehammer more often than not. But then again … criticizing a flesh-eating zombie flick for its lack of subtlety is just plain silly.

So yeah … I’ve been - for lack of a better word - a fan of the genre for 45 years, and have seen waaaaaay too many absolutely terrible low budget - no budget movies. Who could forget the Norwegian Zombie Thriller Dead Snow? I wish I could. Anyone who could slog through that steaming pile of Nordic nonsense would certainly stand in line to see Brad Pitt’s 200 million dollar World War Z in 3D.

Actor/Producer Pitt made a 200 million dollar zombie movie but he didn’t make a flesh-eating zombie movie. World War Z’s zombies aren’t the lurching zombies of the past that you could escape by walking a little faster. No … these are the “Speed Zombies” first introduced in 2002 in the movie 28 Days Later. These undead are Olympic level sprinters. They bite. And that’s all we really get to see at the beginning of the film. The bite of a zombie kills and turns the victim into a zombie in under 15 seconds. And then the new zombie races off to find someone else to bite. In a series of fairly impressive set pieces we see thousands and thousands and thousands of zombies mindlessly racing after uninfected humans. It’s like watching a world-wide riot. World War Z is filled with computer-generated spectacle … not characters.

And World War Z is constrained by its huge budget in an entirely different way from how Romero was constrained by his more modest budgets. When you spend 200 million dollars producing a movie you need at least 500 million dollars worth of audience to make your money back. You can’t afford to alienate anyone. Keep the blood - and more importantly - the ideas off the screen. Keep the action sequences coming one after the other, blow out the cash on spectacular special effects, and wrap it up with our hero saving the day. Are all summer action epics doomed to be brainless, bloated, mega-million dollar extravaganzas? It seems so.

I prefer the “thinking man's gut-muncher,” Land of the Dead. It cost $15 million and grossed $40 million. Romero couldn’t produce an epic zombie movie, but he could afford to say what he wanted to say. And his zombies aren’t um … tastefully portrayed. Romero movies literally, figuratively, and unapologetically, go for the jugular. Or any other body part that’s handy.

In the Romero movies the zombies have won because of their sheer numbers. The dead outnumber the living. The remaining humans live a desperate bleak existence in a post-apocalyptic world where everything is hard because survival is hard. Survivors band together and attempt to save themselves … without losing their humanity. Success is not certain, nor even probable. But the survivors continue the struggle for a better world regardless. So I’m not fooling around when I say George A. Romero’s flesh-eating zombie films are a perfect metaphor for our strange and terrible Modern Times. And I’m definitely not kidding when I say the only differences between zombies and devotees of Rush Limbaugh and FoxNews are diet and hygiene.



-- Looking For News? --

My Favorite(?) Excerpt

The discrepancy between the kind of society many Germans thought they were building and the reality of the horror of the Third Reich presents one of the most intriguing questions of our age. How could Fascism -- have happened in a modern, industrialized, educated nation?

Click here for the excerpt from They Thought They Were Free, The Germans, 1938-45 (Chicago: University of Chicago Press, 1955) by Milton Mayer

Books I Give To People I Know and Maybe They'll Still Talk To Me
But Probably Won't

Deep Green Resistance - Strategy to Save the Planet
Aric McBay, Lierre Keith, and Derrick Jensen

For years, Derrick Jensen has asked his audiences, “Do you think this culture will undergo a voluntary transformation to a sane and sustainable way of life?” No one ever says yes.

Deep Green Resistance starts where the environmental movement leaves off: industrial civilization is incompatible with life. Technology can’t fix it, and shopping—no matter how green—won’t stop it. To save this planet, we need a serious resistance movement that can bring down the industrial economy. Deep Green Resistance evaluates strategic options for resistance, from nonviolence to guerrilla warfare, and the conditions required for those options to be successful.

Clicking on the book links to Deep Green Resistance website.

The Prosecution of George W. Bush for Murder
by Vincent Bugliosi

"I hope that at some time in the near future a courageous U.S. attorney general, U.S. attorney, state attorney general, or district attorney in America who is committed to the rule of law and who has dedicated his career to enforcing the law fairly against all who, big or small, violate it, will hear the cries for justice from the graves of the thousands upon thousands of men, women, and children who had their lives violently cut short because of the lies of a man who smiled through it all. And that, with a sense of uncompromising righteousness, he will take the ample case I have laid out in this book before an American jury to let them decide whether George W Bush is guilty or not guilty of murder, and if so, what his punishment should be.

Even if this doesn't happen and what I have said in this book receives all the attention of a new fly in the forest, I do know that someone had to say what is written on the pages of this book."

From The Prosecution of George W. Bush For Murder by Vincent Bugliosi, page 168.

Clicking on the book links to the book's website.

Vincent Bugliosi testifying before the House Judiciary
Committee of the U.S. Congress.

Family of Secrets: The Bush Dynasty, the Powerful Forces That Put It in the White House, and What Their Influence Means for America
by Russ Baker

How did Bush happen? How did George W. Bush, of all people, rise to the most powerful position in the world? This simple question sparked a five-year investigative odyssey by Russ Baker. What he found will force us to rethink virtually everything we thought we knew about the Bush family and its role in shaping recent American history.

In FAMILY OF SECRETS, Baker reveals that Bush, the people around him, and his policies are but an extreme, very public manifestation of what his family and its circle have always been about: an interlocking web of covert and overt machinations on behalf of a small cluster of elites-social, financial, industrial, military, intelligence-that enabled the Bush dynasty and propelled George W. Bush to the top.

Clicking on the book links to the Powell's Books online store.

Rules for Radicals
by Saul D Alinsky

"What follows is for those who want to change the world from what it is to what they believe it should be. The Prince was written by Machiavelli for the Haves on how to hold power. Rules for Radicals is written for the Have-Nots on how to take it away."

In 1971, Saul Alinsky wrote an entertaining classic on grassroots organizing titled Rules for Radicals. For Alinsky, organizing is the process of highlighting what is wrong and convincing people they can actually do something about it.

Clicking on the book links to the author's website.

The End of America: Letter of Warning To A Young Patriot
by Naomi Wolf

In a stunning indictment of the Bush administration and Congress, best-selling author Naomi Wolf lays out her case for saving American democracy. In authoritative research and documentation Wolf explains how events of the last six years parallel steps taken in the early years of the 20th century’s worst dictatorships such as Germany, Russia, China, and Chile.

Clicking on the book links to the publisher's website.

As Basil Fawlty keenly observed:    but ... this is no joke.

The Shock Doctrine: The Rise of Disaster Capitalism
by Naomi Klein

Naomi Klein's The Shock Doctrine advances a truly unnerving argument: historically, while people were reeling from natural disasters, wars and economic upheavals, savvy politicians and industry leaders nefariously implemented policies that would never have passed during less muddled times. As Klein demonstrates, this reprehensible game of bait-and-switch isn't just some relic from the bad old days. It's alive and well in contemporary society, and coming soon to a disaster area near you. --Kim Hughes

Clicking on the book links to the author's website.


If you like Sean, Rush, Bill-O, Savage, and dutifully watch Fox ... You'll hate listening to Mike. I listen every day.


"Uncounted: The New Math of American Elections" As the 2008 presidential elections draw near and disillusioned voters are still reeling from the election fraud scandals of 2004 and 2006, Emmy Award-winning filmmaker David Earnhardt takes a logical and factual look at just how easy it is to alter election results and undermine the integrity of the entire democratic process. By speaking with a series of renowned computer programmers, journalists, statisticians, and even seasoned election officials, chilling proof that the people may not be guiding the direction of our country after all. Click here to go to the "Uncounted" website.

"Iraq For Sale" An eye-opening exposé of the war profiteering companies raking in billions of dollars from the war, click here to go to the "Iraq For Sale" website.

"War Made Easy" exposes a 50-year pattern of government deception and media spin that has dragged the United States into one war after another from Vietnam to Iraq. Click here to go to the "War Made Easy" website.

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